The tape’s sources of this piece include a heterogeneous mix of instrumental and acoustics recordings, bioacoustical fragments of insects, and synthetized sounds. The degree of proximity between the instrument and the fixed audio tape constantly change, leading to section of tight affinity or wider contrast. The constant element running under (or above?) the rest for almost the entire duration of the piece, is the rhythmic pulsation of spikes, a set of periodic “faults” (fast transients in an electrical circuit) rearranged in regular patterns.