The practice of Bonsai develops on a long-term cultivation, crossing and passing down through several generations of growers, an art work that requires patience, precision and care, which is never meant to be “finished”.  This dilated time contrasts with a reduced space, a miniature of the original form, supposed to express the same energy of the “normal” plant on a different scale.

The growth and development in (and of-) a reduced space is the main idea underlying the composition, both on the material’s choice and on its form’s articulation. Sounds are treated [at least on a compositional level] as miniature brunches, following their growth, addressing their curves, bending, adapting and tightening them in the limited space where they raise, live and vanish.